Betty boop in color1/18/2024 Her magical dress transformation has her rags slowly disappear, revealing a modest long undergarment, which promptly transforms into skimpy, lacy lingerie before the ballgown forms over it. And while this Hays Code-era version of Betty is more demure and less of a sex symbol than in her notorious pre-Code cartoons, there's still a hint of the Fleischers' classic risqué humor. During the slipper-fitting, one Stepsister's big toe grows a face to glare at her as she tries to cram it in. Created by cartoon animator Max Fleischer, Betty Boop became a cultural icon in the 1930s. (A moment that's either charming or creepy, depending on your viewpoint.) At the ball, Cupid wallops the stuffy Prince with a mallet when he sees Betty/Cinderella, sending him sliding headfirst down the staircase to greet her, and a caricature of popular crooner Rudy Vallée appears to sing the theme song. The Scandalous Story Behind The Real Betty Boop Will Blow You Away. Animals and inanimate objects talk and sing here and there: even the pumpkin, just before being turned into a coach, grows a jack o'lantern face and sings about how glad he is not to be carved up for a pie. But the cartoon still finds room for some irreverent jokes, modern references and classic surreal Fleischer gags. (Sometimes it even simplifies it – for example, there's no Stepmother in sight, only the two Stepsisters.) Dialogue is sparing, with most of the story sung rather than spoken, and the musical style is gentle and sweet, with the waltz-time theme song, "I'm Just A Poor Cinderella" (a guaranteed ear-worm) composed in the style of an old romantic parlor ballad. It faithfully retells the familiar tale in simple, broad strokes. In no way a definitive Cinderella, but endearing. Technical innovations aside, this is an endearing cartoon short. Cinderella's ride in her coach to the ball and her whirling with the Prince on the ballroom floor are especially striking examples of this technology. This cartoon also makes good use of the stereoptical camera, Fleischer's equivalent of Disney's multiplane camera designed to give the animation more depth: some of the aforementioned lavish backgrounds were actual, physical 3D models, rotated behind the animation cells. To show off the color to the fullest, even Betty/Cinderella's hair is colored red instead of its usual black. ![]() But even with this limited palette, they create a charming little fairy-tale world with what another reviewer has described as a stained glass-like quality, and with lavishly detailed, beautiful storybook backgrounds, even though most of the characters are drawn in Fleischer's usual bouncy, cartoony and slightly grotesque style. That may just be the stuff of science fiction, but scroll on to find out if any of these mind-blowing Mandela effect examples got you too.Because Disney had an exclusive contract with Technicolor at the time, though, the Fleischers used Cinecolor instead: a two-strip process which produced only two colors, red and blue-green. colors, numbers, the alphabet, social skills, and lots more. Needless to say, no one is exempt from being stumped by the strange occurrences, and some even go so far as believe them as some sort of proof of alternate realities. Betty Boop is a classic animated character from the Talkartoon and Betty Boop film series. Other people related to her in remembering things not exactly in the way that they happened, from spellings of your favorite snack brands all the way to important events that happened the year they were born. ![]() And it was named by paranormal researcher Fiona Broome, who wrongly recalled that late South African president, Nelson Mandela, had died in the 1980s after his imprisonment, when in fact, he passed in 2013.Īpparently, misremembering events and facts isn’t just exclusive to Broome. This eerie phenomenon where people collectively misremember events, historical facts and other famous pop culture moments is called the Mandela Effect. And as shocking as this discovery may feel in this very moment, you are actually not alone. If you remember Dorothy’s famous line in The Wizard of Oz as, "Toto, I don't think we're in Kansas anymore,” you would, in fact, be wrong.
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